Gallery
A painting inspired by the power to choose to be happy from moment to moment.
This painting has evolved over many layers of paint and has something new to see at every glance. Rich pinks and reds are always lovely together and with that striking pop of green the painting really comes alive. The turquoise blue among the colour contrasts really gives a feeling of the lazy days of a warm summer when the garden has those heady scents and is in full bloom. Quite magical.
This is an original and unique painting and a show stopping piece for your home. Painted using high quality pigments on heavy duty canvas and wrapped on sturdy, deep stretcher bars this painting does not require a frame.
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This striking and colourful painting is vibrant and full of energy and an uplifting piece for the home. Painted with an excited energy for the arrival of the flury of autumn with its changing leaves and darker nights this painting is the one ready and waiting to cosy up to in the warmth of a winter’s evening, still with its hints of spring just around the corner.
Purchase price can include a real wood tray frame in natural, white or colour of choice.
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Many layers and playful interactions and rhythms all being played out at once.
I named this painting after my favourite book by Charles Dickens. Red is always a bold colour choice and so full of confidence. A colour to seize the day, full of hope and expectation.
One of a series of paintings made during the height of summer evoking strong memories of the heady scent of roses on a balmy afternoon.
The Tangles series was created in the studio. Dried flowers, ribbons, threads and fabrics were all collected together and intermingled in a box, my personal collection of treasures. At this point they seemed to represent the entanglements and confusions of life at the time and a search for meaning.
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Acrylic and charcoal on canvas, 50cm x 50cm framed 71cm x 71cm
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This eclectic group of paintings represents a pure fascination with the painting as it’s own subject. I was interested in our inner landscape and what emerges from the subconscious, and particularly the underlying decision-making when there was no fixed outcome in mind. Free expression, experimentation, colour sensitivities… all help us understand ourselves on a deeper level. The natural and organic forms still there.
The Bradenstoke paintings were created in the studio from memory. It involved a deep searching over many layers trying to convey the feeling of walking across uneven terrain which was open to the elements.
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The second Stanton Park series looks directly at the water and particularly at the natural debris and how it interconnects accross the surface. It allowed for a playful interplay of mark-making colour interactions.
The Sprites of Plaum’s Pitt series looks particularly at the fascinating remnants of plants which naturally arrived floating on the fishing lake. They appeared and disappeared, bobbing on the surface. Quite magical.
Thank you for visiting. This page is currently under construction. I will be regularly adding work so I do hope you visit often. Thank you.
