The deep and meaningful sense of connection and love I craved as a child I learned to find in our untended garden, sitting amongst the weeds, wild flowers, long grass and rough ground.
My childhood saying was ‘I can’t get close enough’.
When I had children of my own they became my world, my love and connection. Yet as the years went by the panic set in. They were getting older, more independant… one day they would fly the nest. They weren’t mine to keep and the anticipated void was unbearable. I was mourning their loss even before they had left. I desperately needed a life beyond my children.
That was when it all changed.
Always happiest close to nature I first trained as a florist. I had always loved flowers and I was drawn to their beauty. And although the colour combinations were breathtaking I soon realised that I preferred nature at it’s most natural. And what’s more, I couldn’t get emotionally close enough with colour alone.
I already had a passion for drawing and this led me to train as a fine artist. Something which was on my bucket list of dreams. And it was at university that I regained an affinity with looking closely, a necessity for good drawing skills. Naturally I turned to nature for my inspiration.
Untamed nature stops me in my tracks. I feel captivated and moved. It is seemingly so insignificant and overlooked in the world, and yet posessing abundant beauty. I want the world to notice, because the connection is so deep and abiding. I love reaching the intimate details of the landscape and enjoy seeing a sense of that in my paintings.
WHAT I DO
I create acrylic paintings on paper, wood and canvas. They focus on the beauty of nature; the colour, the intricacies, the abstract qualities and how they interrelate.
HOW I DO IT
I begin with intuitive mark-making and experimentation exploring the rhythms of nature and building up layers of paint. Recollections of personal experiences just seem to follow. Eventually the painting lets me in and I become driven to respond naturally to what evolves over time, nurturing the process and trusting the outcome…much as nature does.
The process is intimate, and medidative and engages me in deep searching to draw out something tangiable. I am happiest when my paintings convey this through their colour and rich detail and offer an uplifting experience full of surprises.
WHY I DO IT
I fully believe in the power of the painting process to relate to and connect with a deepened experience of the landscape and a richer sense of self. A painting that evokes memory and imagination can help us feel relaxed, energised, uplifted and feel an integrated part of nature. It is no small thing to recognise we are a part of something bigger than ourselves, something to value, to take pride in and to care for.